a film by carol brandt & meredith johnston

The Story

Disillusioned queer couple K and Mira drift through the ruins of red-state America chasing freedom, but their half-assed plan to rob a bank destroys the only thing they have left: each other.

PROOF OF CONCEPT TEASER

The Team

 

MEREDITH JOHNSTON
WRITER, DIRECTOR, ACTOR

Meredith Johnston is a graduate of the BFA acting program at the renowned Theatre School at DePaul University. She is also a graduate of the True Acting Meisner Institute, iO comedy training, and the second city conservatory. She has starred in various Midwestern indie films including Our Place, Christopher Darling, By Crook and Wherever You Are, There You Go. In 2018, she starred in the film Pet Names, which garnered top 10 of SXSW according to the Hollywood Reporter among other glowing reviews.

YAJAIRA MARIE QUINTO
LINE PRODUCER, PRODUCER

Yajaira Marie Quinto is a producer and entrepreneur whose career spans independent film, commercial production, and studio features. A graduate of Columbia College Chicago, she produced multiple thesis films before co-founding Think Visual Edge and building a strong presence in Chicago’s production scene. She briefly joined Quriosity Productions, working with clients including ComEd, Illinois Lottery, and McDonald’s, before co-founding DanaMar Pictures. After relocating to Los Angeles, Yajaira has collaborated with companies such as A24, Buffalo8 & Utopia, with films on Netflix, Prime, Hulu & Tubi. She is also the founder of Reel-AP, a production accounting firm serving film and television projects nationwide.

CAROL BRANDT
CO-WRITER, DIRECTOR, PRODUCER, EDITOR

Carol Brandt is an award-winning independent filmmaker whose work has screened at SXSW, Rotterdam, Jeonju South Korea, NYC, LA, and many other regional festivals. Her critically acclaimed film Pet Names was sold to Amazon Prime in 2018. In addition to her feature endeavors, Carol works as an educator, music video director, and a freelance editor in New York.

PATRICK RYAN RICHTER
UNIT PRODUCTION MANAGER, PRODUCER

Patrick Ryan Richter, a Columbia graduate, studied filmmaking in Chicago & LA, calling both his home. While interning at Principato-Young Entertainment, he cut his teeth on music videos, commercials and episodic-TV. He began working on commercials full-time with Quriosity Productions, collaborating with clients such as Activision, Disney, McDonalds & Nissan. Shifting his focus to feature films, Patrick co-founded DaynaMar Pictures, and has since worked on projects with A24, Lifetime, Buffalo 8 & Amasia Entertainment (to name a few!). Patrick recently joined forces with fashion-focused Moment Dept., capturing runway shows in New York, Paris & Milan.

SUZANNE JURVA
PRODUCER

Suzanne Jurva is an award-winning filmmaker, former Studio and Production Executive. She founded the research department for Steven Spielberg at DreamWorks SKG, supervising development on numerous Academy Award-nominated (and winning!) films, including Saving Private Ryan, Gladiator and Men in Black. Since leaving DreamWorks, she’s Produced & Directed numerous award-winning films, having screened at over fifty festivals worldwide, including Pet Names (SXSW 2018, Hollywood Reporter Top 10 Film), Messwood (DocNYC 2021) & Flowers Forever (Milwaukee Film Festival Winner). She served as NASA-liaison & Key Research Producer on Tom Hanks’ IMAX doc Magnificent Desolation: Walking on the Moon. Suzanne is a graduate of Michigan Technological University and a member of MTU’s President’s Council of Alumna.

ASHLEY MOORE
ASSOCIATE PRODUCER, PRODUCTION COORDINATOR

Ashley is a Chicago-based Associate Producer and Production Coordinator. She has worked in a variety of production roles across independent and studio-backed projects, such as 1923 (SE01, Paramount+), Dog Years (Buffalo8), The Unholy Trinity (Roadside Attractions/Hulu, starring Pierce Brosnan & Samuel L. Jackson), and Gordon Ramsay’s Kitchen Nightmares (SE03, Fox). Through working on a wide-array of projects, she has found her calling in coordinating/producing stories that will leave a lasting impact.

LAUREN ELIZABETH HARRIS
PRODUCER

Lauren Elizabeth Harris is an award-winning actor, producer, and founder of Pathway Pictures. Pathway's projects include Sheepwell, directed by Kim Caicedo and starring Connor Paolo (Gossip Girl) and Michole Briana White (Beef), Bat Sheva Guez’s Babies of Luna Park (The Gotham’s “Series Creators to Watch”), and Cece Wheeler’s Winners and Losers, which received the Indian Paintbrush Grant.

She has prior experience with Steve Buscemi’s Olive Productions, Voltage Pictures, Pretty Matches, and Double Nickel. She holds a BA in Acting and Spanish from USC and an MFA in Creative Producing from Columbia University.

SAM BATJES
PRODUCER’S ASSISTANT

Sam Batjes is a Columbia College Chicago graduate (2020) with a background in Producing and on-set crew work. He began his professional career in the Grip department, working on major TV series such as Chicago Fire/PD, The Shining Girls and Justified: City Primeval, along with indie features like Oxy-Morons and Bad Haircut. In 2025, Sam shifted focus to Producing, working as an Associate Producer on Monolingo (Short Film, Dir by J. Newell), a Producer’s Assistant on Godshot (Feature, Dir by Gabriel Beristain), and a Production Coordinator on The Butler (Feature, Dir by Tom Edmunds).

 
 

Directors’ Statement

Midway through Pink Moon, Pastor Mark says to Mira: “We don’t have to live in the stories we tell ourselves.”
Unassuming as it may be, that is the crux of Mira and K.
At the start of the movie, Mira and K have fully embedded themselves into their labels. They’re living out of a shitty van from 1997, isolated from everyone, without smart phones and covered in bug bites. They choose to believe that they’re never going to make it in a world that wasn’t built for them, so why participate at all?
We wanted to put an uniquely gen-z/millennial couple in the spotlight and have them tear the generational conventions of “I am special and unique” apart for each other. And as that happens, the labels they think about other people fall away too. They quickly realize the ideas they had about the south no longer exist, their expectations of hanging out with the cast of Beverly Hillbillies is so far from present reality. Small towns are no longer small towns, they are neglected, dilapidated and struggling to survive just as much as Mira and K.
But as those conventions fall away, their relationship begins to fall apart. They’re not Thelma and Louise, they’re not Sid and Nancy, they are two people struggling with the same struggles that most couples do: feeling seen, feeling heard, and feeling loved by one another. Mira and K are so embedded in telling themselves that they know how the world works that they miss reality almost entirely until it’s facing them down the barrel of a gun. And at the end of their journey they learn that maybe they can’t change the system, but they can change themselves.
With that as our thesis, we are aiming to put a trans-masculine character at the forefront of a story, without it being the defining characteristic of the character or the story itself. Trans-ness, polyamory, cis-ness, bisexuality are all facets of these characters, but not the dominant defining aspects of them. Just the same with our cast of characters in the small conservative town of Worden. Ideally, Pink Moon will lead people to question their own labels about themselves and other people. At large we have become more categorical and bifurcated in our own thoughts. With Pink Moon, we want to encourage people to question why we assign labels rather than try to empathize, why we try to be understood more than to understand others, and why we try to make our way more than we try to make way for other people.

 
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